YAMAHA DM 3S มิกซ์เซอร์ (G8.1)

Transporting, unloading, and setting up a sound reinforcement system at a venue can be one of the most laborious tasks a sound engineer undertakes. Not so with the DM3 Series which requires less space and time for configuration and physical setup thanks to flexible patching along with Quick Pro Presets, Editor and StageMix software, and Dante compatibility (DM3 model only), minimizing system setup and configuration time considerably. Combining all this with 6 mix + 2 matrix + 2 effects processors, the DM3 Series are powerful, compact, sturdy consoles that you can take anywhere.

Lightweight construction for supreme portability

Thanks to precise structural design and material selection, the DM3 Series combines a light weight of only 6.5 kg with a robust housing that can stand up to the rigors of touring.

The most compact Dante-compatible console

Yamaha’s most compact Dante-compatible mixer, the DM3 delivers high-quality 96kHz sound using 16 analog inputs and eight outputs with low latency, and matches perfectly with the Tio1608-D I/O Rack for simpler, faster system setup.

*There are two models in the DM3 Series, the Dante equipped DM3 and the DM3 Standard, which does not feature Dante.

Effects to enhance the creativity of sound engineers

The DM3 Series comes equipped with two high-quality multi-effects processors featuring eighteen types of high-grade effects including the REV HD and REV R3— the first of its kind in Yamaha mixers— offer sound engineers the freedom to craft a sound that accurately reflects their own sonic sensibilities.

QuickPro Presets™ for fast setup with professional sound

The Yamaha R&D team has worked with well-respected engineers and major manufacturers such as Audio-Technica, FitEar, Sennheiser, Shure, Ultimate Ears and Westone Laboratories to develop a selection of optimized QuickPro Presets™ for a wide variety of microphones and output equipment. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings they offer. We prepared more than 200 presets for input channels, covering everything from vocals to drum sets all precisely tuned using a wide range of actual microphones and instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors such as Ultimate Ears with several variations to match different environments and room sizes. All of these can be used as-is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can also be saved as additional presets.

Scene Presets for your applications

Scene Presets are available for a variety of applications that use the DM3 Series for mixing, making setup quick and easy.

Real world engineers in our R&D group created these presets to increase speed of setup and allow more time for minor adjustments and rehearsal.

• See prestes details. 

A wealth of applications to support any venue

A wide range of applications help users respond as the situation demands, including DM3 Editor to complete settings in advance well before the performance, DM3 StageMix to remotely control the DM3 Series from onstage, and MonitorMix, which allows each performer to adjust their own monitor.

Live streaming brings with it unique technical demands that are often a challenge to accommodate without additional outboard gear and the space it requires.

The DM3 Series comes equipped with a USB connection that lets you go live in an instant, paired with a condensed suite of features such as matrices, flexible patching, and factory presets that are aimed specifically at making live streaming seamless and trouble-free. The compact design also makes the DM3 Series ideally suited to multi-console configurations where it would take on a live-streaming role while the other console is used for on-site mixing.

A comprehensive suite of streaming features

The DM3 Series condenses features needed for streaming inside a compact housing. Units are equipped with abundant analog I/O and USB terminals, making it possible to input audio to the DM3 Series and transmit the mixed audio directly to a computer with streaming software launched. With stereo and matrices, audio routing provides a high degree of freedom and allows mixing of audio for on-site and streaming use separately.

In addition, the Dante-equipped DM3* is ideal for standalone operation as well as for use as part of a larger streaming system featuring multiple consoles. For example, using two DM3 units allows the engineer to input the audio transmitted by Dante for on-site and streaming, or use two different mixes for these. The compact housing makes it the ideal console where space is limited, or for use in system expansion.

*The DM3 Standard is a non-Dante model, while the DM3 is a Dante-compatible model.

Flexible patch settings

The DM3 Series inputs and outputs allow patches to be freely changed with ease. These consoles can handle minor modifications to the system flexibly to suit any location, which is extremely useful in situations where teams are divided by role.

A supremely portable, full-spec music production tool, the DM3 Series covers all the bases for your live recording and home editing needs. The DAW Remote function allows you to use a range of devices to control your mix and recording from anywhere in a live venue or recording environment, then take the results home for editing at your leisure. The recorded performances can be stored directly on a USB stick, on a PC connected via USB to HOST, or on a separate Dante-compatible device (DM3 only), and edited with the bundled Cubase AI software or the DAW suite of your choice.

DAW Remote streamlines music production

DM3 Console team well with a digital audio workstation (DAW). DAW operations such as volume adjustment, play, and stop can be performed using the console’s faders and buttons as physical controllers for smooth operation while arranging. The DM3 supports a variety of DAW software suites, and comes bundled with Cubase AI—a stripped-down but powerful music production software platform. Switching to DAW Remote Mode is a simple one-step operation that can be performed by pressing CUSTOM 1 and 2 in the FADER BANK section together.

Accurate Control of Monitor Levels

DM3 Series Consoles allow monitor levels to be controlled with faders. Access is simple and easy, for smoother, more accurate checking of mix balances. You can also use the customer fader function to assign monitor level control for smoother, more accurate mixes, or use User Defined Keys to adjust the volume separately by switching the source.

Multiple ways to record

Both DM3 models support multitrack recording via USB to Host, while simple 2-track recording is possible using a USB memory stick and the USB connector on the front of both consoles. The Dante-equipped DM3 console also adds multitrack recording capability using the Dante Virtual Soundcard. Put simply, the DM3 Series offers a range of recording options that give users the flexibility to meet the demands of a variety of environments and applications.

*Dante Virtual Soundcard is not included.

Cubase AI bundled software

DM3 Series are bundled with downloadable Cubase AI software from Steinberg. As one of the most advanced, comprehensive DAW suites available, Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.

With each different work environment comes a new range of challenges that place different demands on a console and on users themselves.

The design of DM3 Series Consoles was created with this in mind, with a customizable interface that can be tailored to match user requirements and experience levels. For example, channel names can be displayed in different languages, and operations can be restricted by user account, while ProVisionaire Touch and Control offers the user a control panel that can be optimized for a variety of applications.

Providing optimal settings for the user

The DM3 Series is designed to be operated by a wide range of people, from professional engineers to those who rarely use a console, and its appearance varies from user to user. For example, logging in as Guest simplifies use by limiting the operations available.

DM3 Series Consoles are equipped with a wealth of user support and time-saving features, such as the GainFinder™ feature that provides visual support for gain settings, and 1-knob COMP™ & 1-knob EQ™, which allows multiple parameters to be controlled with a single knob. In addition, channel names are Unicode-capable and can be input in various languages, making the DM3 Series highly effective and user-friendly mixers that are especially useful for applications when the console is used by multiple users of varying languages and skill levels.*

The optional RK-DM3 allows for rack mounting and flexible installation.

*Input for channel names in languages other than English can be performed using DM3 Editor or DM3 StageMix.

Bring your favorite plug-ins with DM3

DM3 Series are bundled with downloadable VST Rack Elements, a plug-in hosting software package from Yamaha.

VST Rack Elements allows you to integrate your effects plug-ins with the DM3 Series or another mixer.

*The DM3 Series only supports Send/Return effects plug-ins.

*To download the VST Rack Elements, please use the Download Access Code on the included “CUBASE AI DOWNLOAD INFORMATION” sheet in the product carton box. The Download Access Code on the sheet provides for the license of VST Rack Elements and Cubase AI.

Abundant options for remote control

The DM3 Series is compatible with a variety of external controls. In addition to Yamaha’s custom control panel ProVisionaire Series, these consoles support general-use communication protocols OSC (via Ethernet) and MIDI (via USB), offering flexibility for remote control








Scene Presets

A01 Podcasting

This scene was created for streaming and recording podcasts and interviews. Inputs for a host, three “in-studio” panelists, remote guests over IP, and stereo playback are mixed and triple patched to omni out 7 & 8, USB 1 & 2 and to USB 17 & 18. Additionally, it is routed to the onboard stereo recorder for archive to a USB flash drive. The host mic is preset for large diaphragm condenser microphone.

A02 Recording

Inputs are two vocals, guitar, bass, and stereo keys. Playback from the DAW is on layer 2 channels 9&10 and are patched from USB in 17&18. To accommodate different workflows, independent stereo mixes for the vocal booth and live room are on Mixes 1&2 and 3&4. Mixes 5&6 are patched to the studio monitors for control room monitoring. Direct outs of inputs 1 through 6 and the FX sends are patched to USB 1 through 8 for recording to the DAW. The ST mix is patched to USB 17&18 to provide a rough mix.

A03 Rock band

This scene provides a standard band setup. Inputs are in the following order: 3 vocals, acoustic guitar, electric guitar, stereo keyboard, sax, drum kit (kick, snare, hi-hat, tom, floor tom, overhead L and overhead R), and a bass guitar. All channels are patched in order from the analog inputs. The 6 mix outputs are configured as monitor sends, with all the sends to them set Pre fader. All inputs are assigned to Stereo as the main output.

A04 Jazz Combo

This preset offers 2 vocals, trumpet, sax, piano L, piano H, bass, electric guitar, drum kit (kick, snare and overhead) and leaves the last 5 inputs open for use as needed. The 6 mix outputs are configured as monitor sends, with all the sends to them set Pre fader. All inputs are assigned to Stereo as the main output.

A05 HOW Service 1

This scene provides a template with speaking microphones (podium, lavalier, headset and 2 hand held) with a small praise band. Acoustic drums are supported with kick and overhead microphones. Note that the handheld microphone inputs have slightly more gain for speaking applications when compared to the vocal microphones for the musicians. The 2 Matrices offer delay and take their signal post fader from the stereo bus to feed a balcony or foyer. The recorder in the DM3 is already configured via the front panel USB connection directly from mix 5-6.

A06 HOW Service 2

This Preset offers all the flexibility of HOW Service 1, but now accommodates an electronic drumkit with its line level outputs paired and stereo panned Left and Right.

A07 Corp w/ Band

This scene was created for a corporate event with a band for entertainment. The first 4 inputs are for talking talent, with presets of both podium and lavalier microphones, along with 4 handheld microphones for extra talent or for pass around question applications. The band inputs reside on inputs 9-16. Outputs are configured for simple band monitoring (Front and side fills), while Mix 5 and 6 support recording direct to the front panel USB jack. The two Matrices are preconfigured for front fill, delay or balcony speaker use.

A08 Video Meeting

This preset quickly makes the DM3 ready for a video meeting or conference. Channel 1 is preset for a large diaphragm dynamic microphone, with some compression readily available for dynamic control as needed. Mix 1 and 2 are sent to USB 1 and 2 respectively. The stereo bus is routed to USB 17 and 18. “

A09 Karaoke

This scene was made for Karaoke. The first two inputs are set for guests/ singers, already processed with reverb and delay presets for this application. Channel 3 accepts the MC microphone without effects. Input channels 4 and 5 accept the music playback. Mix 1 is preset to feed the stage monitor. The inputs are all routed to the stereo busses as main outputs.

A10 Theater

This preset was designed for a rehearsal room in a theater. This simple setup makes leaving the room in a rehearsal ready configuration fast and easy. Microphone inputs for a stage manager and director, along with Stereo playback from a PC, Music and Keyboard inputs are on inputs 1-8. Mix 1 output is for a keyboard floor monitor. Levels are already set to pass audio, and allow less trained operators to adjust.

A11 All Talkers

This scene was made for when many microphones at a group conference or discussion type event are required. All 16 inputs are preset with gain optimized for speech, HPF filter engaged with one knob EQ engaged for quick adjustments. ST IN is patched for music playback as well.

A12 All Headset mics

This preset was designed like A11, but with headset microphone presets are applied across all 16 inputs. These inputs have reduced LF along with the HPF engaged to reduce proximity effect and improve intelligibility. Microphone placement is approximately 1” in front of the mouth of the talker.

A13 Festival

This scene was made to allow the DM3 to function as the central controller in a festival application. Up to three band consoles can send both a stereo feed and a subwoofer bus for quick changeover. Additionally, up to 3 Emcee microphones, a talkback mic and a stereo music playback are accommodated. The outputs of the DM3 are set to go to the main stereo PA, with mixes available for subwoofer, front fill, stereo delay feeds and a side fill. Note that Mix 6 is labeled SHOUT. This send allows a direct patch to the stage for communication with artists and stage personnel. DM3 can patch the band console outputs via analog or via Dante (48kHz or 96kHz) and